EditorialJibz Cameron in character as Dynasty Handbag, the queer vaudevillian with punk origins and questionable taste in unitards, in Los Angeles on May 15, 2023. (Ryan Pfluger/The New York Times)
EditorialJibz Cameron in character as Dynasty Handbag, the queer vaudevillian with punk origins and questionable taste in unitards, in Los Angeles on May 15, 2023. (Ryan Pfluger/The New York Times)
EditorialJibz Cameron in character as Dynasty Handbag, the queer vaudevillian with punk origins and questionable taste in unitards, in Los Angeles on May 15, 2023. (Ryan Pfluger/The New York Times)
EditorialJibz Cameron in character as Dynasty Handbag, the queer vaudevillian with punk origins and questionable taste in unitards, in Los Angeles on May 15, 2023. (Ryan Pfluger/The New York Times)
EditorialHank Strong, left, and his son Elijah Akinsanya visit “Figures of Speech,” a multimedia retrospective of work by the designer Virgil Abloh at the Brooklyn Museum, July 1, 2022. (Nathan Bajar/The New York Times)
EditorialThe director Kristjan Thor, left, and the playwright Tracy Weller on the set of “Hart Island” at the Gym at Judson in New York, March 12, 2022. (Timothy O'Connell/The New York Times)
EditorialBlaq App and LayerUp! present Reimagined CSR: Solving the BIPOC Adaptability Paradox, Advertising Week New York 2021, The Marketplace Stage presented by Walmart Connect, Hudson Yards, New York, USA - 18 Oct 2021
EditorialJimi Hendrix’s coat and shirt on display in “Bill Graham and the Rock & Roll Revolution,” a multimedia exhibition at the New-York Historical Society, Feb. 11, 2020. (George Etheredge/The New York Times)