EditorialThe Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso), ca. 1780?85, Pen and gummed carbon black ink and layered gray ink washes with graphite underdrawing; ver...
EditorialMistaken abilities, Woodward, G. M. (George Moutard), approximately 1760-1809, engraving 1800, several individuals, each believing they are better suited to a particular occupation other than the one they are currently engaged in, such as a farmer that...
EditorialThe tumult of the approaching army having alarmed Rāma, he tells Lak?ma?a to climb up a tree to find out what is causing the din. Lak?ma?a climbs a flowering sāla tree and recognises in the distance Bharata’s standard with the orchid tree. ...
EditorialThe tumult of the approaching army having alarmed Rāma, he tells Lak?ma?a to climb up a tree to find out what is causing the din. Lak?ma?a climbs a flowering sāla tree and recognises in the distance Bharata’s standard with the orchid tree. ...
EditorialZwei M?nner, einander in h?herer Stellung vermutend, begegnen sich (Two Men Meet, Each Believing the Other to Be of Higher Rank. Dated: 1903. Medium: etching on zinc.
EditorialZwei M?nner, einander in h?herer Stellung vermutend, begegnen sich (Two Men Meet, Each Believing the Other to Be of Higher Rank. Dated: 1903. Medium: etching on zinc.
EditorialApelles paints Campaspe I., around 1600 Alexander the Great gives his lover Campaspe to the painter Apelles, believing that the artist will be better able to appreciate Campaspe's beauty. Canvas, 221 x 209 cm Inv.1677.
EditorialApelles paints Campaspe, II. Around 1600 Alexander the Great gives his lover Campaspe to the painter Apelles, believing that the artist will be better able to appreciate Campaspe's beauty. Canvas, 210 x 175 cm Inv. 1686.
EditorialZwei M?nner, einander in h?herer Stellung vermutend, begegnen sich (Two Men Meet, Each Believing the Other to Be of Higher Rank. Dated: 1903. Medium: etching on zinc.
EditorialComposition in Oval with Color Planes 1, 1914. Oil on canvas, 107.6 x 78.8 cm. Made two years after Mondrian moved from Holland to Paris, the geometry of this composition is directly based on sketches of partially demolished buildings, with exposed...
EditorialThe Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso), ca. 1780?85, Pen and gummed carbon black ink and layered gray ink washes with graphite underdrawing; ver...
EditorialWilliam Forbes of Callendar, ran off during the militia riots of 1797 believing Callendar House was on fire. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.
EditorialMistaken abilities, Woodward, G. M. (George Moutard), approximately 1760-1809, engraving 1800, several individuals, each believing they are better suited to a particular occupation other than the one they are currently engaged in, such as a farmer that...
EditorialMistaken abilities, Woodward, G. M. (George Moutard), approximately 1760-1809, engraving 1800, several individuals, each believing they are better suited to a particular occupation other than the one they are currently engaged in, such as a farmer that...
EditorialProcris and Cephalos. Jealous, Procris follows her husband Cephalos to the hunt and hides behind a bush. Cephalus, believing she is a deer, kills her with his arrow. (Ovid, Metamorphoses) Canvas.
EditorialProcris and Cephalos. Jealous, Procris follows her husband Cephalos to the hunt and hides behind a bush. Cephalus, believing she is a deer, kills her with his arrow. (Ovid, Metamorphoses) Canvas,120 x 85 cm Inv.471.
EditorialApelles paints Campaspe I., around 1600 Alexander the Great gives his lover Campaspe to the painter Apelles, believing that the artist will be better able to appreciate Campaspe's beauty. Canvas, 221 x 209 cm Inv.1677.
EditorialApelles paints Campaspe, II. Around 1600 Alexander the Great gives his lover Campaspe to the painter Apelles, believing that the artist will be better able to appreciate Campaspe's beauty. Canvas, 210 x 175 cm Inv. 1686.