Hugo Erfurth; Marya Delvard; from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert; Konstanz 1949; silver gelatin paper; black and white positive process; retouched (stone processing); image size: height: 22.8 cm; width: 16.8 cm; signed and inscribed; einbelichtet: Hugo Er[ hardly legible]; label: Passepartout recto u. in the middle: in machine print on Japanese paper: H u g o E r f u r t h; 'Maria Delvard'; portrait photography; portrait; woman; singer; actor; actress; standing figure; dress; stagecraft; full-length portrait; Marya Delvard; At the beginning of the 20th century; the artist was a member of the Hugo Er family. At the beginning of the 20th century; Hugo Erfurth; along with Rudolph D黨rkoop and Nicola Perscheid; was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer; he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography; participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work; which he began taking in 1906 in his new studio; a classicist palace; in a stylishly elegant ambience; appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities; including K鋞he Kollwitz; Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way; from the 1920s onward the focus is on the face; which is photographed against a simple monochrome background. Here; his pictorial approach corresponds to the portrait of classical modernism; whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of th