EditorialThailand: Rear view of Saint Francis Xavier Church in Samsen Soi 11, Bangkok, an area called Baan Yuan (Vietnamese Village), originally settled by Christian Vietnamese and Cambodian immigrants and refugees
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rear view of a housing facade, built for an Italian TV show, at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialThe central atrium of Sydney Modern, the new Sanaa-designed extension for the Art Gallery of New South Wales, with Lisa Reihana’s ‘‘Groundloop,’’ a monumental work on the upper level, in Sydney, Australia on Dec. 18, 2022. (Petrina Tinslay/The New York Times)
EditorialThe central atrium of Sydney Modern, the new Sanaa-designed extension for the Art Gallery of New South Wales, with Lisa Reihana’s ‘‘Groundloop,’’ a monumental work on the upper level, in Sydney, Australia on Dec. 18, 2022. (Petrina Tinslay/The New York Times)