EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialDiego Vela?zquez’s 1650 portrait of Juan de Pareja, his longtime slave and studio assistant, at the Metropolitan Museum of Art in New York, April 4, 2023. (Lila Barth/The New York Times)
EditorialItaly: **NO WEB AND NEWSPAPERS ONLY FOR ITALY** Rome, Press point at Vela di Calatrava in Tor Vergata, site proposed for the candidacy of Expo Roma 2030
Editorial**NO WEB AND NEWSPAPERS ONLY FOR ITALY** Rome, Press point at Vela di Calatrava in Tor Vergata, site proposed for the candidacy of Expo Roma 2030
EditorialCatalunya. Portada de la novela Can?ons de rem i de vela, de Josep Maria de Sagarra, de la colecci?n popular Les Ales Esteses, Barcelona, 1930.
EditorialCetshwayo kaMpande (ca.1826-1884). King of the Zulu Kingdom from 1872 to 1879. Cetshwayo to be taken to Cape-Town as a captive. Engraving by Vela. Colored.
EditorialEstados Unidos. Nueva York. La crisis financiera. Aspecto de Wall Street en los momentos de p?nico, en la tarde del 14 de mayo de 1884. Perspectiva tomada frente a la iglesia de la Trinidad. Grabado por Vela. La Ilustraci?n Espa?ola y Americana, 8 de j...
EditorialHumberto I (1844-1900). Rey de Italia entre 1878 y 1900. Perteneciente a la Casa de Saboya. Atentado contra la vida de Humberto I en N?poles el 17 de noviembre de 1878. Dibujo por J. Comba. Grabado por Vela. La Ilustraci?n Espa?ola y Americana,1878.
EditorialEspa?a. Andalucia. Provincia de C?diz. Jerez de la Frontera. C?rcel de Jerez. Salida de una cuerda de presos con destino a la c?rcel de C?diz. Dibujo por Comba. Grabado por Vela. La Ilustraci?n Espa?ola y Americana, 30 de marzo de 1883.
EditorialSpain, Extremadura, C?ceres. King Alfonso XII of Spain (1857-1885) and King Luis I of Portugal (1838-1889) on the occasion of the inauguration of the Madrid-Lisbon railway line, October 8, 1881. Entrance in the city of both monarchs. Composition and li...
EditorialMURAL DE EL CID CAMPEADOR (RODRIGO DIAZ DE VIVAR) 1043-1099)- OLEO SOBRE LINO ADOSADO AL MURO DE LA BOVEDA - 1965/69. JOSE VELA ZANETTI (1913-1999). RODRIGO DIAZ DE VIVAR (1043/1099) EL CID CAMPEADOR.
EditorialCetshwayo (1826-1884). King of Zulu Kingdom. Portrait by Edward Tilt. Engraving by Vela in The Spanish and American Illustration, 1879. Colored.
EditorialSpanish literature. "The Ingenious Hidalgo Don Quixote of La Mancha", written by Miguel de Cervantes Saavedra (1547-1616). Conversations between Don Quixote and Sancho Panza after the adventure of the windmills (Chapter VIII). Nineteenth century engrav...
EditorialMONUMENTO A EMILIA PARDO BAZAN SITUADO EN LOS JARDINES DE SU MISMO NOMBRE JUNTO A LA CALLE PRINCESA - 1926 - FOTOGRAFIA EN BLANCO Y NEG. RAFAEL VELA DEL CASTILLO (1892-1963).
EditorialMONUMENTO A EMILIA PARDO BAZAN SITUADO EN LOS JARDINES DE SU MISMO NOMBRE JUNTO A LA CALLE PRINCESA - 1926 - FOTOGRAFIA EN BLANCO Y NEG. RAFAEL VELA DEL CASTILLO (1892-1963).
EditorialMURAL DE EL CID CAMPEADOR (RODRIGO DIAZ DE VIVAR) 1043-1099)- OLEO SOBRE LINO ADOSADO AL MURO DE LA BOVEDA - 1965/69. JOSE VELA ZANETTI (1913-1999). RODRIGO DIAZ DE VIVAR (1043/1099) EL CID CAMPEADOR.