EditorialKing David Receiving the Cistern Water of Bethlehem. Antwerp Mannerist (Master of the Antwerp Adoration Group); Netherlandish. Date: 1505-1525. Dimensions: 73.5 ? 27.5 cm (28 7/8 ? 10 7/8 in.) Image: 72.7 ? 26.8 cm (28 5/8 ? 10 9/16 in.). Oil on panel...
EditorialLeandro Bassano (1557-1622). Italian mannerist painter. The Riva degli Schiavoni in Venice. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
EditorialCosimo I de Medici (1519-1574). Portrait by the Italian Mannerist painter Bronzino (Agnolo di Cosimo), (1503-1572). Florentine School. 1537. Oil on canvas transferred form panel. The State Hermitage Museum. Saint Petersburg. Russia.
EditorialMichelangelo Buonarroti (1475-1564). Bust. Marble and bronze by the italian mannerist painter and sculptor Daniele da Volterra (1509-1566). Capitoline Museums. Rome. Italy.
EditorialColumn-Krater (Mixing Bowl). Greek; Athens; Attributed to a Member of the Earlier Mannerist Group. Date: 460 BC. Dimensions: 46.5 ? 45.6 ? 38 cm (18 1/4 ? 18 ? 15 in.). Terra-cotta, decorated in the red-figure technique. Origin: Athens.
EditorialAlessandro Allori, called Alessandro Bronzino (1535-1607). Italian Mannerist painter. Holy Family. The Rest on the flight to Egypt, 1602. From the Church of Santo Andr? and Santa Marinha (Gra?a), Lisbon (Portugal). National Museum of Ancient Art. Lisbo...
EditorialScissors case, 17th century, French, Steel, Overall (confirmed): 3 13/16 ? 1 5/16 ? 3/16 in. (9.7 ? 3.4 ? 0.5 cm), Metalwork-Steel, The rather sophisticated ornamental piercing on this case represents a transitional moment: the language is ultimately d...
EditorialKing David Receiving the Cistern Water of Bethlehem. Antwerp Mannerist (Master of the Antwerp Adoration Group); Netherlandish. Date: 1505-1525. Dimensions: 73.5 ? 27.5 cm (28 7/8 ? 10 7/8 in.) Image: 72.7 ? 26.8 cm (28 5/8 ? 10 9/16 in.). Oil on panel...
EditorialPlaster cast of Fountan of the Innocents by Jean Goujon (1510-1569). Nymph. Mannerist syle. Original, 1547-49. Mold, 1864. Victoria and Albert Museum. London. England. United Kingdom.
EditorialPlate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses.
EditorialDesign for Meuble de Vestibule, Graphite, color pencil, brush and watercolor on cream paper, Wall elevation for entrance hall in renaissance-revival style (although it is called 'genre Boulle' in published drawing, see bibliography). Lower portion cons...
EditorialArtist: Theodore van Thulden, Flemish, 16061669, After: Francesco Primaticcio, Italian, 15041570, The Companions of Ulysses Opening the Bag of?Winds, ca.?1632, Black chalk, Sheet: 21.5 ? 33 cm (8 7/16 ? 13in.); Framed: 39.37 ? 52.07 cm (15 1/2 ? 20?1/2...
EditorialItaly, Tuscany, Florence. Palazzo Nonfinito (Unfinished Palace). Mannerist style. Bernardo Buontalenti designed it in 1593 for the Strozzi family. He built only the courtyard and the first floor. Additional construccion was added later by different arc...
EditorialParmigianino, Standing Nude Man with Scroll, ca. 1503-1540, black chalk on blue paper, 11 3/8 in. x 7 9/16 in. (28.89 cm. x 19.21 cm.), The lithe figure of a nude male stands in a dancer's pose, left foot extended, heel lifted. He unrolls a scroll, yet...
EditorialUnknown Artist (Italian), Man in Classical Costume, n.d., chalk on paper, 7 in. x 10 1/16 in. (17.8 cm. x 25.5 cm.), This striding figure twists his upper body strongly away from the viewer while still displaying his navel, an impossible feat for a liv...
EditorialFrans Floris the Elder, The Fall of Phaeton, ca. 1555, brush and light brown ink over black chalk on paper, 5 1/8 in. x 4 1/4 in. (13 cm. x 10.8 cm.), Frans Floris popularized mythological subjects as a Northern Mannerist in Antwerp. He depicts the fat...
EditorialFriedrich Sustris, Allegory of Peace, 1573-1580, pen and black ink, grey wash over black chalk on paper, 7 7/8 in. x 3 3/4 in. (20 cm. x 9.53 cm.), The languid and sensual Allegory of Peace epitomizes Mannerist elegance in the female form. From her ide...
EditorialLeandro Bassano (1557-1622). Italian mannerist painter. The Riva degli Schiavoni in Venice. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
EditorialScissors case, 17th century, French, Steel, Overall (confirmed): 3 13/16 ? 1 5/16 ? 3/16 in. (9.7 ? 3.4 ? 0.5 cm), Metalwork-Steel, The rather sophisticated ornamental piercing on this case represents a transitional moment: the language is ultimately d...
EditorialMarco Pino (1521-1583). Italian painter. Renaissance and Mannerist period. Epiphany or Adoration of the Magi. National Museum of Capodimonte. Naples. Italy.
EditorialAngnolo Bronzino (1503-1572). Italian Mannerist artist. Portrait of Eleonora di Garzia di Toledo (1553-1576) wife of Don Pietro de'Medici, 1539. National Gallery. Prague. Czech Republic.
EditorialPlaster cast of Fountan of the Innocents by Jean Goujon (1510-1569). Nymph. Mannerist syle. Original, 1547-49. Mold, 1864. Victoria and Albert Museum. London. England. United Kingdom.
EditorialItaly. Rome. The Church of the Gesu, also known as the Jesuits. Mannerist. 16th century. Built by Giacomo Barozzi da Vignola (1507-1573) and Giacomo della Porta (1533-1602) between 1568-1580.
EditorialItaly. Rome. The Church of the Gesu, also known as the Jesuits. Mannerist. 16th century. Built by Giacomo Barozzi da Vignola (1507-1573) and Giacomo della Porta (1533-1602) between 1568-1580.
EditorialSpain. Almansa. City Hall. Located in the Big House or Palace of the Counts of Cirat, built in the 16th century in Mannerist style. Main facade.
EditorialLeandro Bassano (1557-1622). Italian mannerist painter. The Riva degli Schiavoni in Venice. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
EditorialPortugal, Alentejo region, Beja. Church of Mercy or Misericordia Church (Igreja da Misericordia). It was built in the middle of the 16th century. Mannerist architecture, with a strong Italian influences, inspired by the loggia of Florence. The building...