Editorial“Spoonbridge and Cherry,” a sculpture by Claes Oldenburg and his second wife, Coosje van Bruggen, is displayed in the sculpture garden at the Walker Art Center in Minneapolis on Aug. 3, 2008. (Ben Garvin/The New York Times)
Editorial“Spoonbridge and Cherry,” a sculpture by Claes Oldenburg and his second wife, Coosje van Bruggen, is displayed in the sculpture garden at the Walker Art Center in Minneapolis on Aug. 3, 2008. (Ben Garvin/The New York Times)
Editorial“Spoonbridge and Cherry,” a sculpture by Claes Oldenburg and his second wife, Coosje van Bruggen, is displayed in the sculpture garden at the Walker Art Center in Minneapolis on Aug. 3, 2008. (Ben Garvin/The New York Times)
EditorialA war artifact turned into an artwork is displayed in an art center in Lviv, Ukraine, on July 24, 2022. (Diego Ibarra Sanchez/The New York Times)
Editorial“Spoonbridge and Cherry,” a sculpture by Claes Oldenburg and his second wife, Coosje van Bruggen, is displayed in the sculpture garden at the Walker Art Center in Minneapolis on Aug. 3, 2008. (Ben Garvin/The New York Times)
Editorial“Spoonbridge and Cherry,” a sculpture by Claes Oldenburg and his second wife, Coosje van Bruggen, is displayed in the sculpture garden at the Walker Art Center in Minneapolis on Aug. 3, 2008. (Ben Garvin/The New York Times)
EditorialThe storage site for the Artist Pension Trust at Halle 14, which also houses an art center, in Leipzig, Germany, June 14, 2021. (Felix Bruggemann/The New York Times)
EditorialThe Henry Street Playhouse, part of the Abrons Art Center in Manhattan, which has been used as a food pantry since the pandemic closed performances, Feb. 2, 2021. (Todd Heisler/The New York Times)
EditorialMark di Suvero’s newly exhibited E=MC2, which is nearly 100 feet tall, at Storm King Art Center in the Hudson Valley, in Cornwall, N.Y., on July 8, 2020. (Bryan Derballa/The New York Times)
EditorialMark di Suvero’s newly exhibited E=MC2, which is nearly 100 feet tall, at Storm King Art Center in the Hudson Valley, in Cornwall, N.Y., on July 8, 2020. (Bryan Derballa/The New York Times)
EditorialBeth Malone, center, as Molly Brown in the Transport Group’s production of “The Unsinkable Molly Brown,” at the Abrons Art Center in New York on Feb. 25, 2020. (Sara Krulwich/The New York Times)