EditorialJessie Maple, the first Black woman admitted to the camera operators union in New York, who went on to both edit and make films, at her home in Atlanta, Nov. 17, 2016. (Dustin Chambers/The New York Times)
EditorialJessie Maple, the first Black woman admitted to the camera operators union in New York, who went on to both edit and make films, at her home in Atlanta, Nov. 17, 2016. (Dustin Chambers/The New York Times)
EditorialJessie Maple, the first Black woman admitted to the camera operators union in New York, who went on to both edit and make films, at her home in Atlanta, Nov. 17, 2016. (Dustin Chambers/The New York Times)
EditorialJessie Maple, the first Black woman admitted to the camera operators union in New York, who went on to both edit and make films, at her home in Atlanta, Nov. 17, 2016. (Dustin Chambers/The New York Times)
EditorialJessie Maple, the first Black woman admitted to the camera operators union in New York, who went on to both edit and make films, at her home in Atlanta, Nov. 17, 2016. (Dustin Chambers/The New York Times)
EditorialPaul Barber, CEO of Brighton & Hove Albion, the Premier League soccer team he has run for the past 11 years, in his office at the Elite Football Performance Centre in Lancing, England on March 9, 2023. (Peter Flude/The New York Times)
EditorialCapitol Police Officer Caroline Edwards testifies before the House Select Committee to Investigate the Jan. 6 Attack in Washington on Thursday night, June 9, 2022. (Doug Mills/The New York Times)
EditorialThe International Symphony Orchestra shares the stage with boxes of medical supplies during a performance in Lviv, Ukraine, May 20, 2022.(Diego Ibarra Sanchez/The New York Times)
EditorialElla Edwards, a volunteer, stacks cans of food collected in Chicago for donation, in a Sunday school room of the Wesley Methodist Church in Greenwood, Miss.
EditorialFrances Haugen, a former Facebook employee and whistleblower, testifies before a Senate Committee on Commerce, Science, and Transportation hearing in Washington, Oct. 5, 2021. (T.J. Kirkpatrick/The New York Times)
EditorialOne of many dresses for the Broadway show “Moulin Rouge! The Musical” being worked on at the Parsons-Meares Ltd. costume shop in New York, Sept. 2, 2021. (Yudi Ela/The New York Times)
EditorialArtist: Cornelis Hendricksz Vroom the Younger, Dutch, ca. 15911661, Panorama with a Country House before an Inland?Sea, ca.?163840, Pen and brown ink, sheet: 29.2 ? 44.8 cm (11 1/2 ? 17 5/8?in.), Trained by his father, Hendrick, who specialized in mari...