EditorialOasis Village, Edward Lear, 18121888, British, 1854, Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige wove paper, Sheet: 9 5/8 x 17 inches (24.4 x 43.2 cm), buildings, camels (mammals), desert, dome, figures (representati...
EditorialModel Shield, Spear Case, and Spears, Middle Kingdom, Dynasty 12, ca. 1981?1802 B.C., From Egypt, Middle Egypt, Asyut (Lykopolis), Khashaba excavations, Wood, stucco, paint, h. 71.5 cm (28.1/8 in); w. 42.2 cm (16 5/8 in), Egyptian soldiers going into b...
EditorialStatue of Egyptian Chancellor Nakhti. Middle Empire. 20th century BC. Polychromed acacia wood. From his tomb in Asyut, Egypt (tomb number 7). Louvre Museum. Paris, France.
EditorialAnonymous Artist, Asyut at the Time of the Annual Inundation of the Nile, 19th century, albumen print, Image: 8 1/4 ? 10 3/8 inches (21 ? 26.4 cm).
EditorialEgyptians ceramic ostraca in demotic script with references to the mummification and burial. Ptolemaic era. Middle Demotic period. 400-30 BC. From Thebes and Asyut. British Museum. London. United Kingdom.
EditorialAsyut, View from the Mountain, c. 1870s -1880. Antonio Beato (British, c. 1825-1903). Albumen print from wet collodion negative; image: 20.1 x 25.9 cm (7 15/16 x 10 3/16 in.); matted: 40.6 x 50.8 cm (16 x 20 in.).
EditorialTomb Relief of the Chief Physician Amenhotep and Family, c. 1279-1257 BC. Egypt, Asyut, New Kingdom, Dynasty 19, reign of Ramesses II, 1279-1213 BC. Limestone with traces of paint; overall: 128 x 119.5 cm (50 3/8 x 47 1/16 in.).
EditorialWooden models showing bakers at work, 12th dynasty, around 1900 BCE. The faces of the men are carefully painted with intent expressions. Muscles on the rear figure show the effort of kneading; the foremost figure shields his face against the heat when ...
EditorialModel Shield, Spear Case, and Spears, Middle Kingdom, Dynasty 12, ca. 1981?1802 B.C., From Egypt, Middle Egypt, Asyut (Lykopolis), Khashaba excavations, Wood, stucco, paint, h. 71.5 cm (28.1/8 in); w. 42.2 cm (16 5/8 in), Egyptian soldiers going into b...
EditorialMummy of Tasheriteniset with mummy mask and other cartonnage elements, also with garland of plants, Ptolemaic Period, 332?30 B.C., From Egypt; Probably from Middle Egypt, Asyut (Lykopolis), Human Remains, linen, mummification material, painted and gild...
EditorialStatuette of Merer, Middle Kingdom, Dynasty 10?11, ca. 1981?1802 B.C., From Egypt; Said to be from Middle Egypt, Meir; Probably from Asyut (Lykopolis), Wood, paint, H. 33 cm (13 in.), The four statues belonged to the Scribe of Divine Offerings Merer. T...
EditorialStatuette of Merer, Middle Kingdom, Dynasty 10?11, ca. 1981?1802 B.C., From Egypt; Said to be from Middle Egypt, Meir; Probably from Asyut (Lykopolis), Wood, paint, H. 35.6 cm (14 in.), The four statues belonged to the Scribe of Divine Offerings Merer....
EditorialStatuette of Merer, Middle Kingdom, Dynasty 10?11, ca. 1981?1802 B.C., From Egypt; Probably from Asyut (Lykopolis); Said to be from Middle Egypt, Meir, Wood, paint, H. 33.5 cm (13 3/16 in.), The four statues belonged to the Scribe of Divine Offerings M...
EditorialStatuette of Merer, Middle Kingdom, Dynasty 12, ca. 1981?1802 B.C., From Egypt; Said to be from Middle Egypt, Meir; Probably from Asyut (Lykopolis), Wood, paint, H. 23.5 cm (9 1/4 in.).
EditorialCarpenter's chest of Ankhef, Middle Kingdom, Dynasty 12, ca. 1981?1802 B.C., From Egypt, Middle Egypt, Asyut (Lykopolis), Tomb of Ankhef (Tomb 9), Khashaba excavations, Wood, paint, stucco, l. 18.3 cm (7 3/16 in); w. 12.8 cm (5 1/16 in); th. 11 cm (4 5...
EditorialEgyptians ceramic ostraca in demotic script with references to the mummification and burial. Ptolemaic era. Middle Demotic period. 400-30 BC. From Thebes and Asyut. British Museum. London. United Kingdom.
EditorialEgyptian Art. Seated statue of Chertihotep dated ca. 1850 BC. Quartzite. Middle Kingdom. 12th Dynasty. Probably it comes from Asyut. Egyptian Museum (Altes Museum). Berlin. Germany.
EditorialWooden models showing bakers at work, 12th dynasty, around 1900 BCE. The faces of the men are carefully painted with intent expressions. Muscles on the rear figure show the effort of kneading; the foremost figure shields his face against the heat when ...