EditorialSome conspiracy theorists believe that another art installation in the airport’s C concourse represents the ruins of a post-apocalyptic city. (Benjamin Rasmussen/The New York Times)
EditorialSome conspiracy theorists believe that another art installation in the airport’s C concourse represents the ruins of a post-apocalyptic city. (Benjamin Rasmussen/The New York Times)
EditorialSome conspiracy theorists believe that another art installation in the airport’s C concourse represents the ruins of a post-apocalyptic city. (Benjamin Rasmussen/The New York Times)
EditorialSome conspiracy theorists believe that another art installation in the airport’s C concourse represents the ruins of a post-apocalyptic city. (Benjamin Rasmussen/The New York Times)
EditorialJohn Douglas Thompson, left, and Bill Irwin in Samuel Beckett’s “Endgame,” at the Irish Repertory Theater in New York, Dec. 25, 2022. (Sara Krulwich/The New York Times)
EditorialThe Apocalyptic Woman. Dated: 1498. Dimensions: image: 39.2 x 28.1 cm (15 7/16 x 11 1/16 in.) sheet: 45.8 x 31 cm (18 1/16 x 12 3/16 in.). Medium: woodcut on laid paper. Albrecht D?rer. ALBERTO DURERO-ALBRECHT D?RER. Albrecht D?rer or Duerer. DIOS PADRE.
EditorialChalice, The round chalice has a cast, arched foot on which in high relief an ox, an eagle, an angel and a lion, the symbols of the four Evangelists. These are interspersed with scenes from the life of Christ in low relief on a punched ground: the Birt...
EditorialThe four evangelists, The four evangelists in the clouds, together with the apocalyptic animals. An angel with a trumpet praises them. In the background the Holy Spirit as a dove and the Lamb of God. The print has a Greek, Latin, French, English, Germa...
EditorialThe Triumph of Eternity The Triumph of Eternity The Triumph of Faith, Round stained glass with representation of the Triumph of Eternity. The Eternity is represented by Christ, on a classic cart drawn by a lion and an ox, symbols of the evangelists Mar...
EditorialRevolution, Fighting on the Barricades, Apocalyptic Landscape, Ludwig Meidner, 1912-1913, Berlin Neue Nationalgalerie, Berlin, Germany, Europe
EditorialKari Lake, the Republican candidate for Senate in Arizona, speaks during CPAC 2022 in Dallas, Texas on Aug. 6, 2022. (Emil Lippe/The New York Times)
EditorialTower and apocalyptic beast from Sant Joan de Bo?. Date/Period: Ca. 1100. Mural painting. Fresco transferred to canvas. Height: 1,800 mm (70.86 in); Width: 3,300 mm (10.82 ft).
EditorialThe Apocalyptic Woman. Dated: 1498. Dimensions: image: 39.2 x 28.1 cm (15 7/16 x 11 1/16 in.) sheet: 45.8 x 31 cm (18 1/16 x 12 3/16 in.). Medium: woodcut on laid paper. Albrecht D?rer. ALBERTO DURERO-ALBRECHT D?RER. DIOS PADRE.
EditorialThe Triumph of Eternity The Triumph of Eternity, Round, stained glass pane depicting the Triumph of Eternity. A classic triumphal cart rides against a backdrop of a mountainous landscape with a city. On the cart, on a rectangular pedestal, God the Fath...
EditorialScreens relaying feeds of live footage of the opening ceremony in the media hub of of the COP26 summit on Monday, Nov. 1, 2021 at the Scottish Exhibition Center in Glasgow, Scotland. (Kieran Dodds/The New York Times)
EditorialThe Apocalyptic Woman. Dated: 1498. Dimensions: image: 39.2 x 28.1 cm (15 7/16 x 11 1/16 in.) sheet: 45.8 x 31 cm (18 1/16 x 12 3/16 in.). Medium: woodcut on laid paper. Albrecht D?rer. ALBERTO DURERO-ALBRECHT D?RER. DIOS PADRE.
EditorialThe Apocalyptic Woman. Dated: 1498. Dimensions: image: 39.2 x 28.1 cm (15 7/16 x 11 1/16 in.) sheet: 45.8 x 31 cm (18 1/16 x 12 3/16 in.). Medium: woodcut on laid paper. Albrecht D?rer. DIOS PADRE.
EditorialProject for an altar, Pencil, pen, black ink, brush and grey water color on light yellow paper, Vertical composition of an altar. The mensa is the inner, lower part of the structure. The front of the sepulchre has the shape of a sarcophagus on lion's f...