EditorialEXCLUSIVE: Potentially deadly Portuguese man o'war have been spotted in Falmouth Bay as temperatures reached an unusual 24 degrees over the weekend
EditorialEXCLUSIVE: Potentially deadly Portuguese man o'war have been spotted in Falmouth Bay as temperatures reached an unusual 24 degrees over the weekend
EditorialEXCLUSIVE: Potentially deadly Portuguese man o'war have been spotted in Falmouth Bay as temperatures reached an unusual 24 degrees over the weekend
EditorialEXCLUSIVE: Potentially deadly Portuguese man o'war have been spotted in Falmouth Bay as temperatures reached an unusual 24 degrees over the weekend
EditorialEXCLUSIVE: Potentially deadly Portuguese man o'war have been spotted in Falmouth Bay as temperatures reached an unusual 24 degrees over the weekend
EditorialEXCLUSIVE: Potentially deadly Portuguese man o'war have been spotted in Falmouth Bay as temperatures reached an unusual 24 degrees over the weekend
EditorialManao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 227 ? 522 mm (image); 232 ? 572 (sheet). Wood-block print in black ink with brush and stencil-applied red, orange, yellow,...
EditorialManao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 220 ? 525 mm (image/sheet). Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yell...
EditorialChintz fragment, Medium: cotton Technique: mordant painted and dyed and resist dyed (chintz) on plain weave, Fragment of cream-colored cotton, painted in design of detached flower sprays, alternating with flower head in profile; background sewn with ve...
EditorialFragment, Medium: cotton Technique: block printed on plain weave, Fragment with a design of a curving vine with flowers and fruit in red, blue, violet and dark brown outlining., England, France or Germany, 18th century, printed, dyed & painted textiles...
EditorialFragment, Medium: cotton Technique: block printed on plain weave, Rectangular fragment of cream-colored cotton in a large-scale floral pattern. Original colors were red, blue, violet and brown, but a large section is primarily brown with a small sectio...
EditorialTextile, Medium: silk, metallic thread Technique: plain compound satin with supplementary weft, Flowers and acanthus leaves in gold on silver background. Flowers shaded red, blue, violet and green. Fragment has trimming of silk stripes., Russia, late 1...
EditorialBed hanging, Medium: cotton Technique: mordant painted and dyed plain weave (chintz), Large hanging of cotton chintz, lined with pale blue Chinese silk damask (now removed), contemporary with the chintz, and bound on three sides with twill curtain bind...
EditorialFragment, Medium: silk Technique: plain weave, Fragments of a continuous pattern in the bizarre style showing three scrolling vines placed side by side, vertically. The main form of the scroll is ivory on top of which twists florals in blue, violet, gr...
EditorialChintz fragment, Medium: cotton Technique: mordant painted and dyed and resist dyed (chintz) on plain weave, Fragment of cream-colored cotton, painted in design of detached flower sprays, alternating with flower head in profile; background sewn with ve...
EditorialThe Camellia, Intaglio print, Full width printed in four colors: blue, violet, yellow and neutral red, with vine pattern composed of roses, tube-roses, lilac, forget-me-not and camellias, with acanthus and other leaves. Color register marks on right ma...
EditorialSarape, Medium: wool, cotton Technique:, Black sarape with repeating series of stripes in red, blue-violet, green and purple. Sequence of stripes broken at either end for a band of yellow, red and white stripes. Remains of warp fringe on ends., Mexico,...
EditorialFragment, Medium: cotton Technique: block printed on plain weave, Fragment with a design of a curving vine with flowers and fruit in red, blue, violet and dark brown outlining., England, France or Germany, 18th century, printed, dyed & painted textiles...
EditorialPanel, Medium: sik embroidery on linen foundation Technique: embroidered in brick and ouline stitches, Small hanging or shawl of fine, loosely woven linen, embroidered in silk in blue, violet, red, olive green, pink and white. Design symmetrically arra...
EditorialFragment, Medium: cotton Technique: block printed on plain weave, Rectangular fragment of cream-colored cotton in a large-scale floral pattern. Original colors were red, blue, violet and brown, but a large section is primarily brown with a small sectio...
EditorialPetticoat, Medium: cotton Technique: mordant and resist painted and dyed plain weave (chintz) Label: cotton, mordant and resist painted and dyed, Petticoat of glazed chintz with a deep decorative border at the bottom in blue, violet, and shades of red ...
EditorialTextile, Medium: cotton Technique: roller and block printed on plain weave, Naturalistic flowering vine and flower sprays in allover design in shades of red, blue, violet, and yellow with dark purple outlining. Made into a chair seat., France, late 18t...
EditorialStudy of Cornflowers, Sophia L. Crownfield, (American, 18621929), Brush and watercolor on white paper, Vertical sheet depicting blue, violet, and pink cornflowers., USA, late 19th century, nature studies, Drawing, Drawing.
EditorialFragment of a vessel, glass, millefiori technique, Total: Height: 2.70 cm; Width: 2.50 cm, container, storage, kitchen work, floral ornaments, Early Imperial Period, A slight curvature of the glass fragment allows the assignment to a vessel, possibly a...
EditorialWhite taffeta skirt embroidered with multi-colored flower and leaf vines, lined with blue taffeta, lined with blue taffeta. Model: Four-lane straight skirt with flat pleats and a light blue drill ribbon at the waist. Hooks and eyes close the two side s...
EditorialWhite taffeta skirt embroidered with multi-colored flower and leaf vines, lined with blue taffeta, lined with blue taffeta. Model: Four-lane straight skirt with flat pleats and a light blue drill ribbon at the waist. Hooks and eyes close the two side s...
EditorialManao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 220 ? 525 mm (image/sheet). Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yell...
EditorialManao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 220 ? 525 mm (image/sheet). Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yell...
EditorialManao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 227 ? 522 mm (image); 232 ? 572 (sheet). Wood-block print in black ink with brush and stencil-applied red, orange, yellow,...
EditorialManao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 220 ? 525 mm (image/sheet). Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yell...
EditorialManao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 227 ? 522 mm (image); 232 ? 572 (sheet). Wood-block print in black ink with brush and stencil-applied red, orange, yellow,...
EditorialStudy Revealing Anatomy to Medicine and Art. Dated: 1786. Dimensions: sheet (trimmed at or just within platemark): 51.4 x 35.6 cm (20 1/4 x 14 in.). Medium: wash manner, printed in green, red, blue, violet, yellow, brown, and orange inks.