EditorialBoney Forsaken by his Guardian Genius. Charles Williams; English, active 1797-1830. Date: 1814. Dimensions: 317 ? 288 mm (image); 350 ? 246 mm (plate); 363 ? 262 mm (sheet). Etching in black, with hand-colored additions, on cream wove paper. Origin: En...
EditorialVisvamitra's attendants take Shabala away by force. However she breaks free and is shown in the top left background asking Vasishta why he has forsaken her. Ramayana, Bala Kanda. Udaipur, 1712. Source: Add. 15295, f.150. Language: Sanskrit.
EditorialDido Forsaken, Sic Transit Gloria Regimae, James Gillray, 17571815, British, 1787, Etching, hand colored, Sheet: 10 3/8 x 14 3/8in. (26.4 x 36.5cm).
EditorialThe First Book of Urizen, Plate 20, 'Of life forsaken mountains .' (Bentley 23), Print made by William Blake, 17571827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper...
EditorialThe First Book of Urizen, Plate 24, 'Of Life Forsaken Mountains....' (Bentley 23), Print made by William Blake, 17571827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove pap...
EditorialVisvamitra's attendants take Shabala away by force. However she breaks free and is shown in the top left background asking Vasishta why he has forsaken her. Ramayana, Bala Kanda. Udaipur, 1712. Source: Add. 15295, f.150. Language: Sanskrit.
EditorialSukesha is forsaken by his mother, and the infant is shown weeping in the left foreground. Siva and Parvati riding on Nandi the bull hear Sukesha weeping and moved by compassion for the infant, grant him a boon of immortality making him instantly equal...
EditorialRoman fresco depicting Ariadne forsaken by Theseus whose ship can be seen on the horizon. Second half of 2nd century. From Pompeii. National Archaeological Museum. Naples. Italy.
EditorialBoney Forsaken by his Guardian Genius. Charles Williams; English, active 1797-1830. Date: 1814. Dimensions: 317 ? 288 mm (image); 350 ? 246 mm (plate); 363 ? 262 mm (sheet). Etching in black, with hand-colored additions, on cream wove paper. Origin: En...
Editorial"Here's Songs of Love and Maids Forsaken". James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1793. Dimensions: 207 ? 188 mm (image); 250 ? 224 mm (plate/sheet). Etching in dark brown, with handcoloring, on ...
Editorial"Here's Songs of Love and Maids Forsaken". James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1793. Dimensions: 207 ? 188 mm (image); 250 ? 224 mm (plate/sheet). Etching in dark brown, with handcoloring, on ...
EditorialBoney Forsaken by his Guardian Genius. Charles Williams; English, active 1797-1830. Date: 1814. Dimensions: 317 ? 288 mm (image); 350 ? 246 mm (plate); 363 ? 262 mm (sheet). Etching in black, with hand-colored additions, on cream wove paper. Origin: En...
Editorial"Here's Songs of Love and Maids Forsaken". James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1793. Dimensions: 207 ? 188 mm (image); 250 ? 224 mm (plate/sheet). Etching in dark brown, with handcoloring, on ...
EditorialVisvamitra's attendants take Shabala away by force. However she breaks free and is shown in the top left background asking Vasishta why he has forsaken her. Ramayana, Bala Kanda. Udaipur, 1712. Source: Add. 15295, f.150. Language: Sanskrit.
EditorialSukesha is forsaken by his mother, and the infant is shown weeping in the left foreground. Siva and Parvati riding on Nandi the bull hear Sukesha weeping and moved by compassion for the infant, grant him a boon of immortality making him instantly equal...
EditorialRoman fresco depicting Ariadne forsaken by Theseus whose ship can be seen on the horizon. Second half of 2nd century. From Pompeii. National Archaeological Museum. Naples. Italy.
EditorialBoney Forsaken by his Guardian Genius. Charles Williams; English, active 1797-1830. Date: 1814. Dimensions: 317 ? 288 mm (image); 350 ? 246 mm (plate); 363 ? 262 mm (sheet). Etching in black, with hand-colored additions, on cream wove paper. Origin: En...
Editorial"Here's Songs of Love and Maids Forsaken". James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1793. Dimensions: 207 ? 188 mm (image); 250 ? 224 mm (plate/sheet). Etching in dark brown, with handcoloring, on ...
EditorialVisvamitra's attendants take Shabala away by force. However she breaks free and is shown in the top left background asking Vasishta why he has forsaken her. Ramayana, Bala Kanda. Udaipur, 1712. Source: Add. 15295, f.150. Language: Sanskrit.
EditorialSukesha is forsaken by his mother, and the infant is shown weeping in the left foreground. Siva and Parvati riding on Nandi the bull hear Sukesha weeping and moved by compassion for the infant, grant him a boon of immortality making him instantly equal...
EditorialRoman fresco depicting Ariadne forsaken by Theseus whose ship can be seen on the horizon. Second half of 2nd century. From Pompeii. National Archaeological Museum. Naples. Italy.
EditorialSOME OF THE COMIC ELEMENTS IN THE GROUNDING OF A TROOPSHIP: 1. The Bump. 2. "Bweakers? Anything to Bweak this Confounded Monotony." 3. "You are Unmarried, Mr. B., ; Promise Me That You Will Never Let Tommy, Cissie, Prissie, Peg, Meg, &c., &c., be Drown...